Most Commented
- Cubadebate opens its new Web page in English| 20
- Mandela is dead: Why hide the truth about Apartheid?| 11
- El Paso Diary: The Battle Over the Solo Fax| 10
- President Hugo Chavez's address to the People of Venezuela| 10
- Free the Five is heard at Left Forum| 6
- May every citizen be a constituent| 6
- Raúl receives Kim Yong Chol, Special Envoy of the President of the Workers’ Party of Korea| 6
- The Unsustainable Position of the Empire| 5
- U.S. government promoting Internet aggression against Cuba| 5
- NATO’s Genocidal Role| 4
- The Fiftieth Anniversary Parade| 4
- El Paso Diary: The Tip of the Iceberg| 4
Series
- Cuba's Reasons
- Cuban Five
- El Paso Diary
The El Paso Diary is written by José Pertierra--an attorney who represents the government of Venezuela in its request for the extradition of Luis Posada Carriles. Pertierra´s journals describe the testimony, evidence, legal skirmishes, quirks and follies of this very historic trial that features for the first time the close collaboration of the United States government with Cuban authorities to prosecute an ex CIA agent who is one of the masterminds of the fifty-year old dirty war against Cuba.
Authors
- Bernie Dwyer
- Bruno Rodríguez Parrilla
- Deisy Francis Mexidor
- Fidel Castro Ruz
- José Pertierra
- Raúl Castro Ruz
- Ricardo Alarcón de Quesada
- Amy Goodman
- Arleen Rodríguez Derivet
- Frei Betto
- Hugo Chávez Frías
- Josh R. Nelson
- Juan Gelman
- Luis Rumbaut
- Michael Moore
- Mumia Abu-Jamal
- Noam Chomsky
- Reinaldo Taladrid Herrero
- Richard Gott
- Tom Hayden
Articles of Culture
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The truth and example of Cuba will prevail
The more resolutely the Cuban people demonstrate their refusal to retreat in the face of hostility and the tightening of the blockade, our enemies’ campaigns grow increasingly more crude and shameless. They now presume to attack Cuba raising banners, incredibly, in defense of the poorest members of the population, in particular Blacks and those of mixed race. Today the Revolution continues to be, as Fidel said on April 16, 1961, on the eve of the Playa Girón invasion (on the Bay of Pigs).
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I have the floor
During the 60th year of its existence, Uneac continues to not only dialogue with established writers and artists, but continues, as well, to decentralize important artistic and literary events and include in this open, revolutionary debate even the most modest in communities across the island. When the Union of Cuban Writers and Artists (Uneac) was founded on August 22, 1961.
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President Miguel Diaz-Canel calls on Cubans to read
President Miguel Diaz-Canel on Monday calls on Cubans to read, so efforts are being made in times of pandemic by writers and other professionals. The call was made at a meeting to follow up on the agreements reached at the 9th Congress of the Union of Writers and Artists of Cuba (UNEAC). Diaz-Canel urged to read more and write better to create better citizens, the official website of the Presidency of the Republic and national television reported on Monday.
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Pérez Ureta, goodbye to a master
The first cinematographer in Cuba to win the National Film Award is the architect, in images, of a good number of Cuban films that remain forever in the imagination of viewers. Starting from scratch, film after film, Raúl Pérez Ureta got better, working to become an essential director of photography, to whose death, at 79 years of age, we can only respond by putting a hand to the chest and taking a long bow.
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Díaz-Canel: Our culture is the essence of the Revolution
The Palace of the Revolution, again on February 8, welcomed the twenty-some intellectuals and artists who every month meet with President of the Republic Miguel Díaz-Canel Bermúdez, to follow up on implementation of agreements reached at the IX Congress of the Union of Cuban Writers and Artists(Uneac), held at the end of 2019.
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The simulation failed
Simulation is the basic strategy employed by some figures intent upon subverting the social order chosen and supported by the majority of Cubans, of our own free will, camouflaging their political intentions with artistic concerns; faking interest in dialogue when the real goal is the imposition of an intransigent monologue; and proclaiming independent, spontaneous attitudes, behind which the promotion of a servile, submissive project is easily discovered.
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Soft coup script is repeated and once again fails
Another counterrevolutionary provocation took place on the morning of January 27, in front of the Ministry of Culture, when a group of persons, the majority known to be cyber-mercenaries in the pay of the U.S. government, mounted a media show with a re-edited version the script about “necessary dialogue” between institutions and artists, a dialogue that this group has sabotaged on a number of occasions and which, in fact, is of no interest to them, as has been made clear by their conduct since November of 2020.
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Los Van Van and Martí: A great delight
In 2014, the José Martí Cultural Society and Egrem studios released a CD/DVD that, with full intentionality and exquisite musical work, would mark a new direction in terms of the re-contextualization, today, of Martí’s thought. With the ideas, coordination and musical concept of Israel Rojas, the new project’s premise was to provide an approach to Martí, not only through musicalization per se, but based on a thematic thread
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Workers at the Ministry of Culture confront media provocation
This past December, the Ministry of Culture issued a statement entitled “Those who asked for dialogue disrupt the dialogue.” The document was drafted after Fernando Rojas, Deputy Minister of Culture, received via e-mail an “unacceptable” message from several of the persons with whom he had met on November 27, when, on a very meaningful date for Cubans, a group of artists gathered in front of the Ministry’s headquarters to demand a dialogue. Some of the individuals present came in response to a call posted on social networks by persons who had no interest whatsoever in discussing cultural issues.
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Juan Carlos Tabío and the perfection he leaves us
Arriving at the Cuban Institute of Cinematographic Industry and Art (Icaic) in 1961 as a simple apprentice, Tabío made documentaries on various subjects before making his feature-length debut with Se permuta (1984), a film that inspired me, that very year, to write in these pages: “For Tabío it was important for viewers to not only have fun and laugh, but also reflect on what they were seeing, to feel part of the story and its possible solutions”